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The average price for a half-hour singing lesson in Thornton is $35, while we offer lessons at only $30 per a half hour lesson.
Live online singing lessons using Zoom or Skype typically charge between $20-40 per a half hour lesson. Local private one-on-one lessons range from $30-50 for a half hour lesson, while in-person group lessons cost $20 per student for a half hour lesson.
Our professional singing instructors have college degrees in voice performance and at least a few years of singing teaching and concert or tour experience.
Top singing instructors like ours also have numerous high quality recordings and extensive repertoire.
Successful lesson plans are structured, measurable and trackable.
Our singing teachers will provide excellent voice instruction based on lesson plans customized for each student.
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What’s the difference between online and in-person singing lessons?
Private online singing lessons are very similar to in-person lessons, except more affordable and more convenient. Live online lessons are becoming more popular since you can interact in real time in the comfort of your home. Before each online lesson, you will need to set up a few equipments such computer, microphone, webcam and lesson book.
The average price for a half hour singing lesson in Thornton is $30. Live online lessons using video chats such as Zoom or Skype, charge between $20-40 for a half hour lesson. Local private one-on-one voice lessons range from $35-50 for a half hour lesson, while in-person group lessons can cost $25 for a half hour lesson.
Singing lesson pricing can vary widely depending on the teacher’s education and expertise level, the location, years of teaching and lesson length. In-person private lessons typically charge more than online lessons, and the cost of individual or group singing lessons start as low as $40 per hour.
How old should children be before starting singing lessons?
We accept students age 5 and up, although students under 13 should have a parent in the room with them for successful voice lessons. For children who are young to read music right away, we encourage our teachers to give more fun and activity-focused musical instruction. Activities includes rhythm games, ear training, and even improvisation in order to develop musical abilities.
How do online singing lessons work for beginners?
First, it’s important to let your voice instructor know your goals and interests. What style are you looking for? Classical, Rock or Jazz? Do you like to sing popular music by Taylor Swift? Are you in a school or church choir?
Then, our instructor will make recommendations from getting the right lesson equipment and lesson book (if applicable). After scheduling a regular singing lesson, try practicing the breathing exercise on a regular basis. There’s no rush – what matters for beginners is finding the right practice routine without hurting their vocal cords.
Learn from the Best. No contracts ever.
Larissa Jones
Voice
M.M. Manhattan School of Music
New York City, NY
B.M. Valdosta State University
Valdosta, Georgia
Outside of school, Larissa performed with a few bands and groups. She led songs on the praise team at her church, Unity Church of God. She performed with The Answer Band, a wedding and party band based in Atlanta, Georgia where she sang lead and background vocals for various genres of music including Motown, Soul and Funk classics, and party hits of today. While visiting New Orleans in January of 2020, she received the opportunity to perform at the Café Beignet in French Quarters with jazz musician Steamboat Willie and his band. Over the course of her career, she has worked giving private lessons in both individual and group settings for a variety of students from ages 10 to 50.
Larissa currently resides in New York, New York where she attends Manhattan School of Music gaining her Master of Music degree in Jazz Voice.
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a second-year artist-in-residence with Opéra de Montréal. He is recognized for the roles of Figaro (Il barbiere di Siviglia), Marcello (La bohème), Belcore (L’elisir d’amore), and Papageno (Die Zauberflöte). He has recently been seen in productions with Vancouver Opera, Pacific Opera Victoria, Portland Opera, Calgary Opera, and the Vancouver Symphony Orchestra. Additionally, he has sung as a soloist in several oratorio concerts, most notably A Sea Symphony and Requiem (Fauré) with the Vancouver Bach Choir, Messiah (Handel) with the Prince George Symphony Orchestra, and Des Knaben Wunderhorn with l’Orchestre de l’Agora.
Geoffrey furthered his vocal training in a number of apprenticeships including the Portland Opera Resident Artist Program (2018–2020), Calgary Opera Emerging Artist Development Program (2017–2018), Highlands Opera Studio (2019-2021), and Music Academy of the West (2017). He holds master’s degree and a bachelor’s degree from the University of British Columbia, while simultaneously completing international vocal development programs including the European Music Academy (Teplice, Czech Republic), the Centre for Opera Studies in Italy (Sulmona, Italy), and Accademia Europea dell’Opera (Lucca, Italy). Geoffrey’s continued dedication to the study of music has also inspired a passion for teaching, which has lead him to work as a private voice instructor for the past six years.
Karina Valle
Voice
M.M. Chicago College of Performing Arts
Chicago, Illinois
B.M. Loyola University
New Orleans, Louisiana
A native of Chicago, Illinois, Karina Valle is a versatile soprano with a Master’s in Music from the Chicago College of Performing Arts, and holds a Bachelor’s of Music from Loyola University New Orleans. Karina has performed in multiple productions as a soloist with the New Orleans Opera, as well as various other roles, including performances with Austin Lyric Opera, and toured the Italian countryside as a cast member of La Musica Lirica.
Karina has also performed roles as Königin der Nacht in Mozart’s Die Zauberflöte with recognition from the New Orleans Times-Picayune for representing Latinos in opera, Druscilla in Monteverdi’s L’incoronazione di Poppea, Mirette in Bluebeard’s Waiting Room by Milton Granger, and recently played the role of Woman IV in Lera Auerbach’s challenging a capella opera, The Blind.
Karina’s proficiency in Italian, French, German, Latin, and Spanish dictions allow Karina to specialize in, but not be limited to, such genres as classical, musical theater, jazz, and pop. She is passionate about creating a learning environment for all that is fun, educational, and free of judgment. Her teaching method is not “one size fits all”, but is instead personalized to each individual student’s needs, wants, and abilities to help them find their own healthy vocal style.
Tamar Simon
Voice
M.M. University of British Columbia
Vancouver, BC, Canada
B.A. University of British Columbia
Vancouver, BC, Canada
Heralded for her “clear vibrant tone” (Opera Canada), Tamar Simon is an Armenian- Canadian soprano based in Montréal, Québec. She has been featured in many leading roles including Adina (L’elisir d’amore), Musetta (La bohème), Susanna (Le nozze di Figaro), and Donna Elvira (Don Giovanni) which she performed in Highlands Opera Studio’s 2021 production. Tamar has sung as a soloist with Vancouver Opera, Vancouver Symphony Orchestra, Okanagan Symphony Orchestra, White Rock Concerts, and Burnaby Lyric Opera. Tamar has also been seen on international stages, including appearances as Zerlina (Don Giovanni) in Kona, Hawaii and as Calisto (La Calisto) in Sulmona, Italy.
Tamar is a District Winner and an Encouragement Award Winner of the Metropolitan Opera National Council Auditions and she is a graduate of University of British Columbia’s Master of Music program. Tamar continued her vocal and art song studies in Austria after receiving the Johann Strauss Foundation Scholarship, which sponsored study at the Internationale Sommerakademie Mozarteum. In addition to performing, Tamar has been teaching voice privately for over six years. She has experience teaching all ages and abilities and is passionate about helping students find their voice through installing fundamentals of classical technique.
Marcus Peterson, a bass/baritone from West Bloomfield, MI, is pursuing a double Master’s in Voice and Choral Conducting at IU’s Jacobs School of Music, currently studying with Timothy Noble. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed throughout the US, Europe, Canada, and South Africa in various choirs, operas, and musical theatre performances. His recent roles include Bartolo in Mozart’s Le Nozze Di Figaro, Pirate King in Gilbert and Sullivan’s Pirates of Penzance, Balthazar in Menotti’s Amahl and the Night Visitors, Alidoro in Rossini’s La Cenerentola, Seneca in Monteverdi’s L’incoronazione di Poppea, and Joe in Ashley Hastings’ Free Men.
Marcus is the Founder and current Artistic Director for the Cantate Community Chorus based in Novi, MI. His upcoming performances include IU’s Conductors Chorus Concert and Beethoven’s Symphony No. 9 with the Detroit Symphony Orchestra.
Giuliana Bozza is a soprano from upstate New York. She completed her Master’s Degree at Indiana University’s Jacobs School of Music, where she performed the roles of Musetta in Puccini’s La Bohème, as well as Erste Dame in Mozart’s Die Zauberflöte.
During her time at IU JSOM, she also performed in studio and collaborative piano recitals. Her bachelor’s degree is from Baldwin Wallace Conservatory, with a minor in Italian studies. There, she performed the roles of Anne Trulove in Stravinky’s The Rake’s Progress, Sister Anne of the Cross in Poulenc’s Dialogue of the Carmelites, and covered the role of Lucy in The Threepenny Opera. Originally from Rochester, NY, Bozza graduated from the Eastman Community Music School with an Advanced Diploma in Voice with Honors.
In addition to her musical studies at ECMS, she also sang in the Roc City Singers show choir, and performed in multiple musical theater productions. In her free time, Bozza loves to read, dance, picnic, and go on nature walks. In addition to singing, she is passionate about food, wellness, fashion, and traveling.
Originally from Maryland, Jessa earned her Bachelors in Film, theatre and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jesse performed as a singer, dancer and actress for a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (Dynamite), and The Color Purple (Nette).
She has taught vocal lessons in Maryland at Drama Learning Center and, while living abroad in Tokyo, Jesse taught vocal/ voice for Youth Theatre Japan and Artista.
Her professional singing career has provided opportunities to travel the world performing as a lead vocalist for Royal Caribbean Cruise Ships and, in 2018, through the Actors’ Equity Association, Jessa joined the cast of several Walt Disney World shows, including Move it! Shake it! Mousekadance it!, and her current shows Finding Nemo the Musical (Peach) and Festival of the Lion King (Kibbi).
Jessa’s wide ranging professional and educational background provides extensive expertise in teaching a variety of vocal genres such as musical theatre, pop, R&B and contemporary worship music.
Alex Taylor
Voice
M.M. Carnegie Mellon University
Pittsburgh, Pennsylvania
B.M. University of Wisconsin
La Crosse, Wisconsin
Alex Taylor is a professional bass singer, actor, and teacher. He is a member of the Grammy®-award winning Houston Chamber Choir, and has performed in dozens of plays, operas, and musicals. Most recently, Alex toured Vote for the Goat and Santa’s Rockin’ Reindeer with Express Children’s Theatre in Houston, TX.
Alex’s favorite stage credits include Young Frankenstein (The Monster), Singin in the Rain (R.F. Simpson), Catch Me If You Can (Roger Strong), Neil Simon’s Rumors (Ken Gorman), One Man, Two Guvnors (Stanley Stubbers), The Magic Flute (Sarastro), and The Marriage of Figaro (Bartolo). In addition to theatrical roles, he also has over a decade of choral experience including concert, symphonic, and madrigal choirs as well as vocal jazz. Alex is the librettist of the short opera PETROV, which, in 2019, had its international premiere in Belgrade, Serbia. In addition to being a performer and creator, Alex worked as the Music Director for Santa’s Rockin’ Reindeer at Express Children’s Theatre.
A native of Beloit, Wisconsin, Alex has his Bachelor of Arts in Music Theatre and Bachelor of Arts in Music Theory from the University of Wisconsin-La Crosse and Masters of Music in Vocal Performance from Carnegie Mellon University.
Amberly Winfrey
Voice
M.M. Belmont University
Nashville, Tennessee
B.M. Northern Kentucky University
Highland Heights, Kentucky
Amberly Winfrey is a performing and recording vocal artist, arranger, and teacher based in Nashville, Tennessee. Amberly holds a M.M. in Commercial Voice from Belmont University and specializes in commercial vocal styles like funk, soul, gospel, and rock. With a B.M. in Vocal Performance from Northern Kentucky University her diverse musical experience has also included the study, performance, and teaching of jazz, blues, art song and arias, musical theater, and country.
During undergraduate study, Amberly was a scholarship student, a member of NKU Vocal Jazz, Chamber Choir, R&B Combos I & II, and a junior instructor with the NKU Music Preparatory Department. Her time at NKU also included roles in the NKU Opera Workshop, membership in experimental vocal ensembles, and attendances and performances at JEN (Jazz Education Network), ACDA (American Choral Directors Association), KMEA (Kentucky Music Educators Association), and OMEA (Ohio Music Educators Association) conferences.
While attaining her masters degree, Amberly was a scholarship student and graduate assistant for Jazzmin, Belmont’s vocal jazz ensemble, and also led student performance seminars. Outside of school, Amberly has kept a studio of private voice students, and has performed and recorded for several artists in Ohio, Kentucky, and Tennessee. She currently a member of the band Brother Smith, and maintains a regular performance and touring schedule.
As a professional voice teacher, Amberly has worked with singers of all experience levels from ages 5-55 since 2011. Her goal is to help singers find and cultivate their own unique sound with healthy vocal function as a foundation for authentic style. Amberly believes in balancing voice science with personalized practicality, and uses her rich performing experience to help her students develop a personal relationship with the voice.
A founding member of the Community Opera Workshop, which was ultimately to become Opera San Jose, under Irene Dalis; she studied and performed leading roles there including Nella (Gianni Schicchi), Carolina (Il Matrimonio Segreto), Mimi (La Boheme) and Cio Cio San (Madama Butterfly). She also played Kate Pinkerton (Madama Butterfly) with West Bay Opera. Preferring to perform in intimate settings, Liz has created several solo recitals featuring German Lied, French Chanson, Spanish and Italian Art Song as well as operatic arias.
After taking a hiatus from performing to raise two daughters, she started performing with local musical theatre companies as well as performing in solo recitals and small ensembles. Some of her favorite performances have been in Ragtime, Billy Elliot, Hairspray, and Guys and Dolls. She has also performed as a featured soloist in several musical revues produced by JB Presents in San Francisco which included works by Sondheim, Cole Porter, Rogers and Hammerstein, and other Broadway composers as well as the film Broadway Covered in which she sang “As We Stumble Along” from The Drowsy Chaperone. Performing with the San Jose DanceCo singing Nina Simone’s arrangement of “For All We Know” was a highlight in her jazz experiences. She recently moved to Los Angeles and is looking forward to finding new performance opportunities.
In 2016 she was a participant in the Lied Studio Program at American Institute of Musical Studies (AIMS) in Graz, Austria fulfilling a lifelong dream of studying and performing in Europe.
Liz holds a Masters Degree in Vocal Performance from San Jose State University. Liz continues her education by attending seminars and conferences in vocal pedagogy and CCM workshops keeping up with the latest in teaching techniques and nerding out on voice science. She has a strong background in education having taught in elementary and music classrooms for over a decade, as well as directing choirs and serving as vocal director for children’s musical theatre productions.
Olivia Gronenthal
Voice
M.M. Indiana University
Bloomington, IN
B.M. University of Illinois at
Urbana-Champaign
Champaign, IL
Chicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in Hansel and Gretel (Lyric Theatre at Illinois), Bianca in the Rape of Lucretia (Lyric Theatre at Illinois), the Third Lady in Die Zauberflöte (Toronto Summer Opera Workshop), and the Third Spirit in Die Zauberflöte (Vancouver Summer Opera Workshop). With IU Opera Workshop, she was featured as Baba the Turk (The Rakes Progress), Prince Orlofsky (Die Fledermaus), Bianca (The Rape of Lucretia), and Zerlina* (Don Giovanni).
Her opera chorus credits include Falstaff (Indiana University Opera Theatre), Xerxes (Indiana University Opera Theater), Little Women (Indiana University Opera Theater), Don Giovanni (Lyric Theatre at Illinois) an L’incoronazione di Poppea (Lyric Theatre at Illinois). An avid fan of new works, Gronenthal was a member of the 2020 Song Genesis Project, pairing singers, composers, and poets to generate an entirely new work. Her team’s piece, Abaude on Cold Moon premiered in 2021. She also performed the role of Electricizer 3 in Elizabeth Gartman’s New Motive Power in its premiere at the Kohler Performing Arts Center.
She earned her Master of Music from Indiana University and her Bachelor of Music from the University of Illinois at Urbana-Champaign. She is currently a Performance Diploma student at the Jacobs School of Music, studying with Peter Volpe.
Canda Daryl
Nixon Fisher
Voice
M.M. Catholic University of America
Washington, DC
B.A. The George Washington University
Washington, DC
Canda Daryl Nixon Fisher is an Atlanta – based vocalist, arranger, songwriter, voice instructor, coach and mentor, with over 20 years developing vocal talent. Canda’s signature vocal style embodies a fusion of classic soul, rhythm & blues, and jazz, and delivers with grace velvety vocals and lyrics hypnotic to the soul, lulling listeners into a state of total relaxation.
Originally from Maryland, at the age of 2, Canda first started to sing to her grandfather while sitting atop of his upright piano. At an early age, she became influenced by her father’s jazz collection which included renowned vocalists Ella Fitzgerald, Billie Holiday, Sarah Vaughn, Nancy Wilson, Teena Marie, Phyliss Hyman and Sade Adu.
With a B.A. in Music at The George Washington University, it was college where Canda began her vocal studies, and as a music scholarship recipient, she performed in various stage productions and was a member of the GWU Troubadours, an acapella performance troupe which performed nationally and internationally touring Rome, Milan, Venice and Tuscany.
Canda pursued her Master’s Degree in Vocal Performance at Catholic University of America, and as a lyric soprano she performed the leading role of Puccini’s Suor Angelica while touring the Italian Amalfi Coast. Other roles included Susanna from Le Nozze di Figaro and Monica from The Medium. She also performed oratorios from works such as Faure’s Pie Jesu, Bach’s Magnificat, and Handel’s Messiah. She learned a great deal from her classical studies, as they helped develop the vocal endurance she skillfully applies today, however ultimately Canda chose to follow her love of performing soul and jazz. She went on to perform professionally and in the studio, collaborating with many musicians and songwriters, writing and sharing life’s experiences over dramatic instrumentals and groove like beats.
From her musical journey she is passionate about offering crossover technique, diction, dramatic interpretation and how to successfully perform contemporary and secular music. Canda believes every turn you take on your musical journey has purpose, and is passionate about teaching vocalists versatility, musicianship, and how to discover who they truly are through their innate ability to Think, Create, and Perform.
Amanda Singh is a Toronto-based Soprano, who from a young age, has had a passion for all types of music. Throughout high school, she performed both musical theatre and classical repertoires. She gained her Bachelor of Fine Arts (Magna Cum Laude) majoring in classical voice before obtaining her Master of vocal performance from the University of Toronto.
Currently, Amanda is an active member and founder of the Octava Vocal Ensemble which performs a variety of acapella compositions from jazz to pop. She is also a current member of the Amadeus Choir of Greater Toronto as an Emerging Canadian Voice.
Other notable credits include the Bach Chamber Youth Choir, York University’s Chamber Choir and Concert Choir, the Orpheus Choir of Toronto, as well as the Ellison Canadian Honour Choir. Amanda has participated in competitions of the National Association of Teachers of Singing Vocal Showcase and the Newmarket Voice Festival obtaining gold rewards in her categories. In 2019, she was one out of the four winners of York University’s Concerto Competition.
From pop to classical, Amanda works on creating a collaborative and welcoming environment that focuses on storytelling and healthy vocal technique for all her students.
Maggie Graziano
Voice
M.M. University of Washington
Seattle, Washington
B.M. Drury University
Springfield, Missouri
Maggie Boeckman Graziano possesses a mellifluous mezzo-soprano sound, combining depth,warmth, and clarity. Originally from St. Louis, Maggie has performed with Red River Lyric Opera, Vespertine Opera, OperaWorks, Portland Summer Program, Amalfi Coast Summer Opera, and Springfield Regional Opera, among others.
Maggie has been seen in roles including Fidalma in Il Matrimonio Segreto, Mélantho in Fauré’s Pénélope, Third Lady and Third Spirit (Die Zauberflöte), and in the chorus for productions of Semele, Carmen, and Trial by Jury. As part of the 2015 OperaWorks Advanced Artist Program, Margaret created the role of one of the religious fanatics for the original production Singed, the program’s culminating performance. As a member of the 2011-12 Springfield Regional Opera Young Artist Program, she also performed in scenes programs as Charlotte (Werther), Dorabella (Così fan tutte), and Sesto (Giulio Cesare). Most recently she could be heard in Steamboat Springs Summer Opera Festival’s Production of The Enchanted Pig in the role of Mrs. North Wind.
In concert, Maggie performed with the University of Washington Symphony
Orchestra in the Mermaid Duet from Oberon, as the incidental music soloist in A
Midsummer Night’s Dream, and as the soloist for the Duruflé Requiem. She was also the soloist for the Mosaic Springfield Music Ensemble’s production of the Fauré Requiem. In 2015, Maggie competed in the Metropolitan Opera National Council Auditions for the Northwest Region, winning the Helen Price Encouragement Award.
Maggie received a Bachelor of Arts in Music degree from Drury University and a Masters degree in Vocal Performance from the University of Washington.
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