Available for Graham students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Flexible scheduling No contracts Start or pause lessons anytime
All Major Payment Methods Accepted
Singing lessons fit around Graham school weeks, choir rehearsals, theater practice, family schedules, and changing activity seasons, so families understand what to listen for during practice.
Students get thoughtful coaching on tone, text, phrasing, and practice routines from teachers who understand healthy vocal pacing, so the teacher can keep the next goal specific.
5 out of 5 average lesson rating
A beginner can start with simple songs while an advancing singer works on tone, phrasing, resonance, and expressive control, so progress feels steady between lessons.
Before the first voice lesson, choose a quiet standing space, keep water nearby, and bring any current song, lyric sheet, or question. School music preparation works best when the student has the exact part, measure numbers, text markings, or rhythm questions ready. For Graham High, the teacher can shape warmups around breath support, pitch accuracy, diction, phrasing, and confident starts. The best preparation is repeatable: warm up gently, review the assignment, isolate the hard phrase, and bring one question back next week, so technique and songs improve together, with rhythm, tone, and musical goals staying connected.
For Graham voice students, local performance ideas work best when they become specific practice targets. Preparation connected with Graham High can include secure starts, clearer vowels, steady rhythm, and memorized endings. Students curious about McCrary Theatre can explore repertoire, diction, tone, and listening habits that match their own voice goals. The teacher can help choose repertoire, mark audition cuts, plan memorization, and keep practice centered on healthy vocal habits, so the teacher can keep the next goal specific, with enough detail for focused weekly practice, while the student builds confidence one assignment at a time.
For a new Graham voice student, the most important setup is a quiet place to stand comfortably and sing clearly. Keep lyrics, assigned music, water, and a pencil nearby so the student can mark vowels, breaths, rhythms, and reminders during the lesson. Families using Lowe Vintage Instrument and Music and Arts should keep purchases modest: printed music, a binder, pencils, a stand, headphones, or other supplies the teacher actually names. A mirror, stand, speaker, headphones, or second device can help when assigned, but beginners usually need only the simple setup first. Comfort matters too: the student should be able to breathe freely, sing without strain, and pause if the voice feels tired. For more setup guidance, read our first online music lesson guide.
The right voice materials for a Graham singer depend on age, vocal maturity, range, style, teacher assignment, and future goals. The exact list can include sight-singing, theory, lyric marking, anthology work, 24 Italian Songs and Arias, Vaccai, musical theater cuts, or accompaniment files. Students can purchase books directly from our Shop or through other music retailers. The safest list for Creekside Music is simple: required music, staff paper, a pencil, a binder, a stand, and listening supplies if assigned, with enough detail for focused weekly practice, with enough detail for focused weekly practice, while the student builds confidence one assignment at a time.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Graham, North Carolina: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
Good instruction begins with a match that feels clear and workable. For Graham students, teacher fit can shape how quickly lessons move, which songs appear, and how practice is explained. Lessons can then aim at choir goals, theater repertoire, and stronger pitch accuracy without turning every student into the same kind of singer, so the teacher can keep the next goal specific, while the student builds confidence one assignment at a time.
Students improve faster when warmups, technique, listening, and repertoire are organized together. For Graham singers, weekly structure can connect breath management, pitch accuracy, tone, diction, theory, ear training, and practice habits. Students near Graham High can use the same plan for choir goals, personal songs, and stronger practice habits, with rhythm, tone, and musical goals staying connected, so the teacher can keep the next goal specific.
The musical life around Graham gives voice students more than one reason to practice. A teen may care about Graham High, while an adult learner may use McCrary Theatre as a cue for songs, tone, and style. Lessons can turn that context into repertoire choices, listening habits, clearer diction, and steadier performance practice, so the teacher can keep the next goal specific, with rhythm, tone, and musical goals staying connected.
Voice study supports more than a song list. Graham students often gain focus, memory, language confidence, listening skills, and better practice planning through singing. Families often value that mix because voice practice builds listening, memory, language, focus, and confidence through music the student enjoys, while keeping the assignment easy to remember, while practice choices stay organized and realistic, with practical guidance for the student's current level.
Families in Graham can check Creekside Music and Greensboro Music for voice lesson books and materials. Use the teacher's assignment as the guide, especially for song anthologies, sheet music, audition cuts, lyric sheets, sight-singing, accompaniment, and practice tools, with practical guidance for the student's current level.
Yes. The teacher can guide breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and home practice. That can support Graham students preparing for musical theater auditions, while the student builds confidence one assignment at a time, so progress feels steady between lessons.
Students need reliable internet, a device with a camera, a quiet space to stand, water, sheet music or lyrics, and a pencil. Beginners do not need special equipment; playback from a speaker, headphones, or a second device can help if the teacher assigns accompaniment tracks.
For early singing lessons, clear audio and low background noise matter more than buying a microphone. It may help later for pop, jazz, musical theater, worship, recording, or amplified goals, especially when playback and headphones are part of practice. If Lowe Vintage Instrument is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Many children start general singing lessons around ages 6 to 8, but readiness matters more than the exact birthday. Young students usually focus on healthy habits, simple songs, rhythm, listening, and confidence rather than volume or range, so families understand what to listen for during practice.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Graham area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. Students can work on school concerts, choir, auditions, recitals, musical theater cuts, sight-singing, pitch accuracy, and diction connected to Graham High. The school reference stays a preparation goal, not an affiliation or endorsement, while keeping the assignment easy to remember, so families understand what to listen for during practice.
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