Available for Allen students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Allen students can keep voice progress steady around homework, rehearsals, activities, homeschool plans, and weekend commitments, with rhythm, tone, and musical goals staying connected.
Teachers shape each lesson around tone, breath, pitch, diction, and song choice so Allen singers know what is improving, with rhythm, tone, and musical goals staying connected.
5 out of 5 average lesson rating
Lessons can move from pitch matching and simple melodies toward auditions, recital pieces, harmony, and cleaner performance habits, with a clear next practice step.
A useful setup includes standing room, water, clear audio, a visible face and posture, and any song already in progress. School music preparation works best when the student has the exact part, measure numbers, text markings, or rhythm questions ready. A student working toward W E Pete Ford Middle may need warmups that target breath support, vowel shape, sight-singing, and confident first phrases. The best preparation is repeatable: warm up gently, review the assignment, isolate the hard phrase, and bring one question back next week, while keeping the assignment easy to remember.
A Allen voice student can turn recital, choir, or audition ideas into small weekly practice decisions. For W E Pete Ford Middle, students may isolate tricky phrases, count subdivisions, refine tone, and practice the first entrance carefully. Listening ideas from Brothers In Song Choir may point a student toward theater songs, choral phrasing, classical text, worship music, or contemporary repertoire. A voice teacher can keep the preparation specific through warmups, diction, phrasing, accompaniment cues, and realistic practice notes, while practice choices stay organized and realistic, while keeping the assignment easy to remember.
A good beginner setup for a Allen singer is practical, uncluttered, and easy to repeat each week. Students should have reliable internet, a camera-ready device, water, lyrics or sheet music, a pencil, and enough space to stand without leaning or shouting. When checking Phoenix Drive Audio and Guitar Center, focus on lesson supplies that organize music, support playback, or keep marked pages easy to use. Most students can begin without a microphone, then discuss one later if amplified singing, recording, or style-specific work becomes part of the goal. is a space where the teacher can hear pitch, see posture, and assign focused next steps. For more setup guidance, read our first online music lesson guide.
A strong materials plan for a Allen singer starts with the assigned repertoire, then adds only the books, pages, or supplies that support it. A lyric sheet, anthology, sight-singing page, ear-training exercise, theory worksheet, audition cut, or accompaniment track should all serve the student's current voice goal. Students can purchase books directly from our Shop or through other music retailers. Use Brook Mays Music or Music and Arts for materials only after the teacher has clarified whether the need is a book, lyric page, or supply, while still leaving room for music the student enjoys, with enough detail for focused weekly practice.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Allen, Texas: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
A strong voice plan starts with the person teaching it. For Allen students, teacher fit can shape how quickly lessons move, which songs appear, and how practice is explained. Lessons can then aim at school concerts, favorite songs, and steady recital preparation without turning every student into the same kind of singer, while practice choices stay organized and realistic, with rhythm, tone, and musical goals staying connected.
Strong singing progress needs more than running through songs. For Allen students, a teacher can arrange breath support, pitch accuracy, diction, ear training, sight-singing, theory, and repertoire around age, goals, and weekly practice time. That structure helps kids, teens, adults, and returning singers prepare for school music goals near W E Pete Ford Middle while still enjoying songs they chose, while practice choices stay organized and realistic.
Music in Allen can point students toward many reasons to sing. Students may use W E Pete Ford Middle for school-music direction and Brothers In Song Choir for listening ideas that make repertoire feel less abstract. Lessons turn that outside inspiration into breath, tone, diction, memorization, and steady singing while keeping the focus on the student's own work, so families understand what to listen for during practice, while practice choices stay organized and realistic.
A consistent voice routine gives students a concrete way to practice focus and patience. Regular lessons in Allen can support concentration, rhythm awareness, diction, reading, patience, and independent practice. Those habits support school, homeschool, and family learning because students practice listening carefully and solving one musical problem at a time, while practice choices stay organized and realistic, with enough detail for focused weekly practice, while practice choices stay organized and realistic.
Families in Allen can check Brook Mays Music and Arts for voice lesson books and materials. Use the teacher's assignment as the guide, especially for song anthologies, sheet music, audition cuts, lyric sheets, sight-singing, accompaniment, and practice tools, with rhythm, tone, and musical goals staying connected.
Yes. Live online voice lessons can cover breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and practice habits. That can support Allen students preparing for solo and ensemble, with practical guidance for the student's current level, with rhythm, tone, and musical goals staying connected.
For voice lessons, plan on reliable internet, a camera-ready device, a quiet standing space, water, lyrics or sheet music, and a pencil. A music stand, mirror, speaker, headphones, or second device may help later, but the teacher should decide what is useful, with rhythm, tone, and musical goals staying connected.
Most voice students can begin with the built-in device audio if the room is quiet and the teacher can hear clearly. It may help later for pop, jazz, musical theater, worship, recording, or amplified goals, especially when playback and headphones are part of practice. If Phoenix Drive Audio is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Many students begin voice lessons between ages 6 and 8, though readiness is more important than age alone. Pitch matching, attention span, musical interest, simple direction-following, and comfort singing aloud all matter, while still leaving room for music the student enjoys, so technique and songs improve together.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Allen area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. A teacher can organize pitch accuracy, diction, breath support, repertoire, memorization, and sight-singing for concerts, auditions, choir, or ensemble placement connected to W E Pete Ford Middle. The school reference stays a preparation goal, not an affiliation or endorsement, so technique and songs improve together.
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