Available for The Acreage students
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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All Major Payment Methods Accepted
Lessons can stay consistent for The Acreage students while warmups and songs remain clear enough to practice between busy weeks.
Students get thoughtful coaching on tone, text, phrasing, and practice routines from teachers who understand healthy vocal pacing, with enough detail for focused weekly practice.
5 out of 5 average lesson rating
Lessons adjust to each singer's age, range, pace, style interests, and comfort with breath support, pitch, diction, or sight-singing.
A useful setup includes standing room, water, clear audio, a visible face and posture, and any song already in progress. Students with school music goals should bring the song, choir part, lyric sheet, sight-singing excerpt, or audition cut they want help organizing. A student working toward Seminole Ridge Community High School may need warmups that target breath support, vowel shape, sight-singing, and confident first phrases. After the lesson, a written practice target makes the next week easier because the student knows which phrase, breath, or text detail comes first.
For The Acreage voice students, local performance ideas work best when they become specific practice targets. A goal connected to Seminole Ridge Community High School may call for better counting, confident first notes, clearer text, and a calm run-through plan. Music connected with Century Village WPB Theater Backstage can give students a reason to study breath support, tone, text, and ensemble listening. The weekly work can cover repertoire choice, audition cuts, phrase planning, pitch accuracy, and a manageable memorization routine, with a clear next practice step, while practice choices stay organized and realistic.
Students beginning singing in The Acreage can keep the setup simple while still giving the teacher enough sound and visual detail to coach well. The core items are straightforward: steady internet, camera placement, water, lyrics or sheet music, a pencil, and room to stand with relaxed posture. Sources like Guitar Center and The Music Center work best after the teacher has named the music, supplies, or listening setup the student actually needs. If the student later works on auditions, recording, or amplified styles, the teacher can recommend equipment that fits the voice and room. Simple setup usually works best because the teacher can hear the natural voice and adjust the assignment clearly. For more setup guidance, read our first online music lesson guide.
Voice students in The Acreage need materials that fit the teacher's sequence, the student's range, and the style of music being studied. Teacher assignments may include lyric sheets, sight-singing, solfege, theory, ear training, accompaniment tracks, 24 Italian Songs and Arias, Vaccai, The Singer's Musical Theatre Anthology, or custom repertoire sheets. Students can purchase books directly from our Shop or through other music retailers. Families checking Music Man should match books, binders, stands, headphones, and printed pages to the student's current voice assignment, while still leaving room for music the student enjoys, while practice choices stay organized and realistic, while practice choices stay organized and realistic.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for The Acreage, Florida: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
Teacher fit comes before a long assignment list. The right teacher can help The Acreage kids, teens, adults, and returning singers connect healthy technique with music they actually want to sing. Lessons can then aim at breath support, song learning, and relaxed audition preparation without turning every student into the same kind of singer, with rhythm, tone, and musical goals staying connected, so technique and songs improve together.
Strong singing progress needs more than running through songs. A The Acreage lesson plan may move from warmups to breath, pitch, diction, sight-singing, theory, and repertoire without leaving students to guess what comes next. For kids, teens, adults, and returning singers, that sequence can support school preparation at Seminole Ridge Community High School without losing personal repertoire, with a clear next practice step, while the student builds confidence one assignment at a time.
For The Acreage singers, community music can turn technique into something easier to imagine and use. Students may use Seminole Ridge Community High School for school-music direction and Century Village WPB Theater Backstage for listening ideas that make repertoire feel less abstract. The teacher can translate that inspiration into repertoire choices, technique, text work, memorization, and performance confidence, so the teacher can keep the next goal specific, so progress feels steady between lessons.
A consistent voice routine gives students a concrete way to practice focus and patience. For The Acreage students, voice work can build focus, listening accuracy, expressive language, memory, patience, and creativity. For school, homeschool, and family learning, the benefit is a student who can plan practice, notice patterns, and keep improving independently, with practical guidance for the student's current level, so the teacher can keep the next goal specific.
Families in The Acreage can check Music Man and Village Music Wellington for voice lesson books and materials. Bring the teacher's exact title or list first so song anthologies, sheet music, audition cuts, lyric sheets, sight-singing, and practice materials match the lesson plan, so families understand what to listen for during practice.
Yes. Students can work on breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and practice habits. That can support The Acreage students preparing for recitals, while still leaving room for music the student enjoys, with practical guidance for the student's current level.
For voice lessons, plan on reliable internet, a camera-ready device, a quiet standing space, water, lyrics or sheet music, and a pencil. Beginners do not need special equipment; playback from a speaker, headphones, or a second device can help if the teacher assigns accompaniment tracks.
Most voice students can begin with the built-in device audio if the room is quiet and the teacher can hear clearly. It may help later for pop, jazz, musical theater, worship, recording, or amplified goals, especially when playback and headphones are part of practice. If Guitar Center is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Ages 6 to 8 are common for starting general singing, but the better question is whether the child is ready. Pitch matching, attention span, musical interest, simple direction-following, and comfort singing aloud all matter, while keeping the assignment easy to remember, with rhythm, tone, and musical goals staying connected.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the The Acreage area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. A teacher can organize pitch accuracy, diction, breath support, repertoire, memorization, and sight-singing for concerts, auditions, choir, or ensemble placement connected to Seminole Ridge Community High School. The school reference stays a preparation goal, not an affiliation or endorsement, so progress feels steady between lessons.
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