Available for Ridgecrest students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Families in Ridgecrest can protect weekly singing time while lessons work around school music, theater, jobs, and full evenings.
Teachers shape each lesson around tone, breath, pitch, diction, and song choice so Ridgecrest singers know what is improving, so technique and songs improve together.
5 out of 5 average lesson rating
Each assignment can connect the student's musical taste with stronger breathing, vowel shape, listening, phrasing, and tone control, while the student builds confidence one assignment at a time.
A useful setup includes standing room, water, clear audio, a visible face and posture, and any song already in progress. A student preparing for ensemble work should have the vocal part, tempo, trouble spots, and any pronunciation questions ready. Preparation for Burroughs High can include breath marks, rhythm counting, clean entrances, pitch accuracy, and controlled endings. The best preparation is repeatable: warm up gently, review the assignment, isolate the hard phrase, and bring one question back next week, with a clear next practice step, while still leaving room for music the student enjoys.
Students in Ridgecrest, California can prepare for performance moments by connecting repertoire, technique, and expression early. Work connected to Burroughs High might focus on memorizing entrances, marking breaths, shaping diction, and keeping pitch steady under pressure. Listening ideas from Community Light Opera and Theatre Association may point a student toward theater songs, choral phrasing, classical text, worship music, or contemporary repertoire. Lessons then turn the goal into breath support, pitch accuracy, diction, memorization, and a practical performance plan, while still leaving room for music the student enjoys, so progress feels steady between lessons.
In Ridgecrest, a practical voice setup is more about consistency than gear: space, water, music, and reliable audio. Students should have reliable internet, a camera-ready device, water, lyrics or sheet music, a pencil, and enough space to stand without leaning or shouting. With Moe's Music, the safest approach is to match each item to a specific voice lesson task instead of guessing from general singing advice. If the student later works on auditions, recording, or amplified styles, the teacher can recommend equipment that fits the voice and room. The first setup should make singing easier to hear and observe, not hide breath, diction, or pitch behind effects. For more setup guidance, read our first online music lesson guide.
Voice students in Ridgecrest need materials that fit the teacher's sequence, the student's range, and the style of music being studied. Some students use teacher-selected sight-singing, solfege, lyric sheets, or theory pages, while others need The Singer's Musical Theatre Anthology, 24 Italian Songs and Arias, Vaccai, audition cuts, or accompaniment tracks. Students can purchase books directly from our Shop or through other music retailers. When checking Moe's Music and Cerro Coso College book source, use the teacher's list to decide which source fits books, supplies, or listening support, with enough detail for focused weekly practice, with rhythm, tone, and musical goals staying connected.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Ridgecrest, California: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
Teacher fit comes before a long assignment list. Voice students in Ridgecrest can work with instructors who understand kids learning first songs, teens building style, adults starting fresh, and returning singers rebuilding comfort. Lessons can then aim at personal songs, sight-singing, and clearer practice habits without turning every student into the same kind of singer, while still leaving room for music the student enjoys.
A good voice lesson should make practice clearer, not just longer. In Ridgecrest, lessons can organize warmups, breath support, posture, tone, pitch accuracy, diction, sight-singing, theory, and repertoire into a sequence that fits the student's age and practice time. That makes school music goals near Burroughs High, recitals, and favorite songs feel connected instead of competing for attention, so the teacher can keep the next goal specific.
For many Ridgecrest students, voice lessons feel more meaningful when they connect with real listening and performance ideas. Lessons can use school context tied to Burroughs High and broader musical ideas tied to Community Light Opera and Theatre Association while keeping both student-centered. Lessons turn that outside inspiration into breath, tone, diction, memorization, and steady singing while keeping the focus on the student's own work, so technique and songs improve together.
A consistent voice routine gives students a concrete way to practice focus and patience. Regular lessons in Ridgecrest can support concentration, rhythm awareness, diction, reading, patience, and independent practice. That helps school, homeschool, and family learning routines because students learn how to break music into small tasks and hear their own progress, with rhythm, tone, and musical goals staying connected, while keeping the assignment easy to remember.
Families in Ridgecrest can check Moe's Music and Cerro Coso College book source for voice lesson books and materials. Students should know the required title, edition, key, and accompaniment plan before choosing books, sheet music, lyric pages, or sight-singing materials, with a clear next practice step.
Yes. Students can work on breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and practice habits. That can support Ridgecrest students preparing for recitals, so progress feels steady between lessons, so progress feels steady between lessons, while keeping the assignment easy to remember.
Students need reliable internet, a device with a camera, a quiet space to stand, water, sheet music or lyrics, and a pencil. Keep the setup simple at first, then add playback tools only when they support the student's assigned song or listening work, while still leaving room for music the student enjoys.
Most beginners and choir-focused students do not need a microphone for voice lessons. It may help later for pop, jazz, musical theater, worship, recording, or amplified goals, especially when playback and headphones are part of practice. If Moe's Music is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Ages 6 to 8 are common for starting general singing, but the better question is whether the child is ready. A younger singer should be able to focus briefly, echo simple patterns, follow directions, and enjoy singing without pressure, so families understand what to listen for during practice.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Ridgecrest area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. Preparation can include repertoire, breath support, pitch accuracy, diction, memorization, and sight-singing for school concerts or auditions connected to Burroughs High. The school reference stays a preparation goal, not an affiliation or endorsement, while the student builds confidence one assignment at a time.
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