Available for Lenoir students
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
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Flexible scheduling No contracts Start or pause lessons anytime
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Flexible scheduling helps Lenoir singers keep practice moving through school concerts, rehearsals, projects, and family plans, while still leaving room for music the student enjoys.
Strong instruction helps voice students turn choir preparation, favorite artists, recitals, and audition ideas into organized weekly progress, while the student builds confidence one assignment at a time.
5 out of 5 average lesson rating
Lessons can move from pitch matching and simple melodies toward auditions, recital pieces, harmony, and cleaner performance habits, so families understand what to listen for during practice.
For the first lesson, place the camera where posture is visible and keep the current assignment or song nearby. When a school or choir piece matters, the teacher can help more quickly if the score, lyrics, or recording is available. When preparing for Hibriten High, lesson work can focus on secure starts, accurate pitch, clear diction, and expressive phrasing. After the lesson, a written practice target makes the next week easier because the student knows which phrase, breath, or text detail comes first, so families understand what to listen for during practice.
Performance preparation for Lenoir singers works best when songs, technique, and listening goals stay connected. Work connected to Hibriten High might focus on memorizing entrances, marking breaths, shaping diction, and keeping pitch steady under pressure. Inspiration from Henkel Opera House can also lead to pop, classical, worship, theater, jazz, or singer-songwriter repertoire that feels connected to the area. Lessons then turn the goal into breath support, pitch accuracy, diction, memorization, and a practical performance plan, with enough detail for focused weekly practice, so the teacher can keep the next goal specific.
New Lenoir singers should plan a setup that makes posture visible, tone easy to hear, and practice notes easy to mark. The core items are straightforward: steady internet, camera placement, water, lyrics or sheet music, a pencil, and room to stand with relaxed posture. With Guitar Center and Morganton Music Patch, the safest approach is to match each item to a specific voice lesson task instead of guessing from general singing advice. A mirror, stand, speaker, headphones, or second device can help when assigned, but beginners usually need only the simple setup first. Simple setup usually works best because the teacher can hear the natural voice and adjust the assignment clearly. For more setup guidance, read our first online music lesson guide.
Voice lesson materials for Lenoir students should come from age, vocal maturity, range, style interests, teacher assignment, and long-term goals. A child may start with short teacher-selected pages and listening tasks, while a teen or adult may use anthology excerpts, theater cuts, classical songs, theory, or recording practice. Students can purchase books directly from our Shop or through other music retailers. If Killough's Music and Loan and Kudzu Music are part of the search, check assigned books separately from binders, staff paper, stands, and listening supplies, while still leaving room for music the student enjoys, with practical guidance for the student's current level.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Lenoir, North Carolina: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
Lesson With You begins by looking for the right instructor fit. Voice students in Lenoir can work with instructors who understand kids learning first songs, teens building style, adults starting fresh, and returning singers rebuilding comfort. Lessons can then aim at breath support, song learning, and relaxed audition preparation without turning every student into the same kind of singer, while the student builds confidence one assignment at a time.
Voice progress is easier when breath, pitch, diction, and songs move in a clear order. For Lenoir singers, weekly structure can connect breath management, pitch accuracy, tone, diction, theory, ear training, and practice habits. That makes school music goals near Hibriten High, recitals, and favorite songs feel connected instead of competing for attention, so families understand what to listen for during practice, so families understand what to listen for during practice.
Local music around Lenoir can help singers hear how text, breath, and style choices matter. One student might connect lessons to Hibriten High, while another uses Henkel Opera House as inspiration for text, tone, and repertoire. A teacher can connect that inspiration to sheet music, lyric work, tone, dynamics, and a reliable practice routine, so the teacher can keep the next goal specific, so the teacher can keep the next goal specific.
Voice study supports more than a song list. For Lenoir students, voice work can build focus, listening accuracy, expressive language, memory, patience, and creativity. Those habits support school, homeschool, and family learning because students practice listening carefully and solving one musical problem at a time, so families understand what to listen for during practice, while keeping the assignment easy to remember, with rhythm, tone, and musical goals staying connected.
Families in Lenoir can check Killough's Music and Loan and Kudzu Music for voice lesson books and materials. Bring the teacher's exact title or list first so song anthologies, sheet music, audition cuts, lyric sheets, sight-singing, and practice materials match the lesson plan, while practice choices stay organized and realistic.
Yes. The teacher can guide breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and home practice. That can support Lenoir students preparing for honor choir, while keeping the assignment easy to remember, with rhythm, tone, and musical goals staying connected, with enough detail for focused weekly practice.
For voice lessons, plan on reliable internet, a camera-ready device, a quiet standing space, water, lyrics or sheet music, and a pencil. A music stand, mirror, speaker, headphones, or second device may help later, but the teacher should decide what is useful, so the teacher can keep the next goal specific.
A microphone is not required for most beginner, choir, recital, or school-music voice lessons. It may help later for pop, jazz, musical theater, worship, recording, or amplified goals, especially when playback and headphones are part of practice. If Guitar Center is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Many students begin voice lessons between ages 6 and 8, though readiness is more important than age alone. Look for attention span, pitch matching, musical interest, comfort singing aloud, and the ability to follow simple directions, so families understand what to listen for during practice.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Lenoir area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. A teacher can organize pitch accuracy, diction, breath support, repertoire, memorization, and sight-singing for concerts, auditions, choir, or ensemble placement connected to Hibriten High. The school reference stays a preparation goal, not an affiliation or endorsement, so the teacher can keep the next goal specific.
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