Available for Lawndale students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Flexible scheduling No contracts Start or pause lessons anytime
All Major Payment Methods Accepted
Singing lessons fit around Lawndale school weeks, choir rehearsals, theater practice, family schedules, and changing activity seasons, so the teacher can keep the next goal specific.
Students work with patient voice teachers who connect healthy technique, favorite songs, and meaningful music goals into steady progress, while practice choices stay organized and realistic.
5 out of 5 average lesson rating
Each assignment can connect the student's musical taste with stronger breathing, vowel shape, listening, phrasing, and tone control, so technique and songs improve together.
For the first lesson, place the camera where posture is visible and keep the current assignment or song nearby. If school music is part of the goal, the teacher should see the assignment, tempo markings, lyrics, or excerpt early. Students aiming at Jane Addams Middle may work on pitch center, memorized starts, diction, phrasing, and relaxed run-throughs. After the lesson, a written practice target makes the next week easier because the student knows which phrase, breath, or text detail comes first, with a clear next practice step, while practice choices stay organized and realistic.
Singing lessons in Lawndale, California can turn nearby music activity into realistic preparation instead of pressure. Work connected to Jane Addams Middle might focus on memorizing entrances, marking breaths, shaping diction, and keeping pitch steady under pressure. Music connected with MB Players Theatre can give students a reason to study breath support, tone, text, and ensemble listening. The weekly work can cover repertoire choice, audition cuts, phrase planning, pitch accuracy, and a manageable memorization routine, with a clear next practice step, with rhythm, tone, and musical goals staying connected, so technique and songs improve together.
Students beginning singing in Lawndale can keep the setup simple while still giving the teacher enough sound and visual detail to coach well. The core items are straightforward: steady internet, camera placement, water, lyrics or sheet music, a pencil, and room to stand with relaxed posture. Sources like Guitar Center and Sam Ash Music Stores work best after the teacher has named the music, supplies, or listening setup the student actually needs. Most students can begin without a microphone, then discuss one later if amplified singing, recording, or style-specific work becomes part of the goal. A clear, low-clutter setup helps the student focus on warmups, repertoire, listening, and consistent practice habits. For more setup guidance, read our first online music lesson guide.
The right voice materials for a Lawndale singer depend on age, vocal maturity, range, style, teacher assignment, and future goals. The exact list can include sight-singing, theory, lyric marking, anthology work, 24 Italian Songs and Arias, Vaccai, musical theater cuts, or accompaniment files. Students can purchase books directly from our Shop or through other music retailers. A source pair like Beau Simpson Music and Child Time Music can be helpful when the family compares exact titles and avoids buying duplicate materials, while still leaving room for music the student enjoys, so the teacher can keep the next goal specific.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Lawndale, California: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
Good instruction begins with a match that feels clear and workable. Voice students in Lawndale can work with instructors who understand kids learning first songs, teens building style, adults starting fresh, and returning singers rebuilding comfort. Lessons can then aim at breath support, song learning, and relaxed audition preparation without turning every student into the same kind of singer, so progress feels steady between lessons.
Strong singing progress needs more than running through songs. Teachers in Lawndale can sequence posture, breath support, tone, vowel shape, pitch accuracy, diction, sight-singing, theory, and repertoire. Students near Jane Addams Middle can use the same plan for choir goals, personal songs, and stronger practice habits, with enough detail for focused weekly practice, so progress feels steady between lessons, so technique and songs improve together.
Singing study in Lawndale can connect personal songs with the music students hear around them. One student might connect lessons to Jane Addams Middle, while another uses MB Players Theatre as inspiration for text, tone, and repertoire. The teacher can translate that inspiration into repertoire choices, technique, text work, memorization, and performance confidence, with practical guidance for the student's current level, so technique and songs improve together, with practical guidance for the student's current level.
Learning to sing can strengthen habits that carry into other kinds of study. For Lawndale students, voice work can build focus, listening accuracy, expressive language, memory, patience, and creativity. Families often value that mix because voice practice builds listening, memory, language, focus, and confidence through music the student enjoys, while practice choices stay organized and realistic, while keeping the assignment easy to remember, with a clear next practice step.
Families in Lawndale can check Beau Simpson Music and Child Time Music for voice lesson books and materials. Use the teacher's assignment as the guide, especially for song anthologies, sheet music, audition cuts, lyric sheets, sight-singing, accompaniment, and practice tools, with enough detail for focused weekly practice.
Yes. Students can work on breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and practice habits. That can support Lawndale students preparing for recitals, while the student builds confidence one assignment at a time, while practice choices stay organized and realistic.
A student should have reliable internet, a device with camera, a quiet place to stand, water, lyrics or sheet music, and a pencil. A music stand, mirror, speaker, headphones, or second device may help later, but the teacher should decide what is useful, with a clear next practice step.
For early singing lessons, clear audio and low background noise matter more than buying a microphone. If amplified singing becomes part of the plan, the teacher can help sort out microphone placement, headphones, playback, and room noise. If Guitar Center is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Ages 6 to 8 are common for starting general singing, but the better question is whether the child is ready. A younger singer should be able to focus briefly, echo simple patterns, follow directions, and enjoy singing without pressure, so families understand what to listen for during practice.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Lawndale area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. Students can work on school concerts, choir, auditions, recitals, musical theater cuts, sight-singing, pitch accuracy, and diction connected to Jane Addams Middle. The school reference stays a preparation goal, not an affiliation or endorsement, so technique and songs improve together, so families understand what to listen for during practice.
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