Available for Jenison students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Flexible scheduling No contracts Start or pause lessons anytime
All Major Payment Methods Accepted
Singing lessons fit around Jenison school weeks, choir rehearsals, theater practice, family schedules, and changing activity seasons, with rhythm, tone, and musical goals staying connected.
Each teacher brings calm feedback, clear assignments, and voice-specific experience for students preparing songs, recitals, choir, or theater, with practical guidance for the student's current level.
5 out of 5 average lesson rating
Lessons can move from pitch matching and simple melodies toward auditions, recital pieces, harmony, and cleaner performance habits, so progress feels steady between lessons.
Students should begin with the lesson space cleared and current songs, lyrics, sheet music, or questions close enough to use. For school music goals, bring the choir part, song excerpt, lyric sheet, or accompaniment track that needs cleaner pitch or diction. A student working toward Jenison Junior High School may need warmups that target breath support, vowel shape, sight-singing, and confident first phrases. After the lesson, a written practice target makes the next week easier because the student knows which phrase, breath, or text detail comes first, with rhythm, tone, and musical goals staying connected.
For Jenison voice students, local performance ideas work best when they become specific practice targets. For Jenison Junior High School, students may isolate tricky phrases, count subdivisions, refine tone, and practice the first entrance carefully. Inspiration from West Michigan Community Chorale can also lead to pop, classical, worship, theater, jazz, or singer-songwriter repertoire that feels connected to the area. Lessons then turn the goal into breath support, pitch accuracy, diction, memorization, and a practical performance plan, with a clear next practice step, so the teacher can keep the next goal specific.
New Jenison singers should plan a setup that makes posture visible, tone easy to hear, and practice notes easy to mark. A useful lesson space lets the teacher see posture, hear clear tone, and help the singer mark lyrics, breaths, vowels, and practice notes. With Guitar Center and Guarneri House, the safest approach is to match each item to a specific voice lesson task instead of guessing from general singing advice. The setup can grow over time as lessons clarify repertoire, range, accompaniment, audition goals, and how the student practices between meetings. The first setup should make singing easier to hear and observe, not hide breath, diction, or pitch behind effects. For more setup guidance, read our first online music lesson guide.
Materials for Jenison voice lessons should be chosen around the singer's age, range, reading level, style goals, and teacher's current plan. Early assignments may involve lyric sheets, solfege, sight-singing, or ear training, while later study may add anthologies, audition cuts, art songs, theory, or accompaniment tracks. Students can purchase books directly from our Shop or through other music retailers. When Marshall Music and Rainbow Music are both available, use teacher notes to sort repertoire needs from small supply needs, while the student builds confidence one assignment at a time, with practical guidance for the student's current level, so technique and songs improve together.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Jenison, Michigan: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
Good instruction begins with a match that feels clear and workable. Jenison singers may need very different teaching styles, from patient beginner pacing for kids to flexible repertoire work for adults. Lessons can then aim at school concerts, favorite songs, and steady recital preparation without turning every student into the same kind of singer, while the student builds confidence one assignment at a time, so the teacher can keep the next goal specific.
Weekly goals help voice students know exactly what to practice next. Lessons in Jenison can connect warmups, breath, posture, tone, diction, sight-singing, theory, and repertoire so practice has a clear order. That makes school music goals near Jenison Junior High School, recitals, and favorite songs feel connected instead of competing for attention, while the student builds confidence one assignment at a time, while practice choices stay organized and realistic.
Singing study in Jenison can connect personal songs with the music students hear around them. A teen may care about Jenison Junior High School, while an adult learner may use West Michigan Community Chorale as a cue for songs, tone, and style. Lessons can turn that context into repertoire choices, listening habits, clearer diction, and steadier performance practice, so technique and songs improve together, with enough detail for focused weekly practice.
A steady singing routine can help students practice patience, memory, listening, and self-correction. Families in Jenison can see growth in reading, listening, memory, pattern recognition, creativity, and independent practice habits. That helps school, homeschool, and family learning routines because students learn how to break music into small tasks and hear their own progress, with practical guidance for the student's current level, while the student builds confidence one assignment at a time.
Families in Jenison can check Marshall Music and Rainbow Music for voice lesson books and materials. The safest approach is to confirm the title, edition, key, and supply list before buying books, lyric sheets, sight-singing pages, or practice materials, with rhythm, tone, and musical goals staying connected.
Yes. Students can work on breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and practice habits. That can support Jenison students preparing for musical theater auditions, so the teacher can keep the next goal specific, with practical guidance for the student's current level.
A student should have reliable internet, a device with camera, a quiet place to stand, water, lyrics or sheet music, and a pencil. A music stand, mirror, speaker, headphones, or second device may help later, but the teacher should decide what is useful, with practical guidance for the student's current level.
For early singing lessons, clear audio and low background noise matter more than buying a microphone. can become useful for pop, jazz, musical theater, worship, recording, or amplified singing goals once the teacher understands the student's setup. If Guitar Center is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Children often start singing around ages 6 to 8, but teens and adults can begin successfully too. A younger singer should be able to focus briefly, echo simple patterns, follow directions, and enjoy singing without pressure, so progress feels steady between lessons, while the student builds confidence one assignment at a time.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Jenison area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. Lessons can help students prepare for school concerts, choir, honor choir, solo and ensemble, musical theater auditions, recitals, sight-singing, diction, and breath support connected to Jenison Junior High School. The school reference stays a preparation goal, not an affiliation or endorsement, so technique and songs improve together.
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