Available for Glenview students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Flexible scheduling No contracts Start or pause lessons anytime
All Major Payment Methods Accepted
Families in Glenview can protect weekly singing time while lessons work around school music, theater, jobs, and full evenings.
Students get thoughtful coaching on tone, text, phrasing, and practice routines from teachers who understand healthy vocal pacing, so progress feels steady between lessons.
5 out of 5 average lesson rating
Each assignment can connect the student's musical taste with stronger breathing, vowel shape, listening, phrasing, and tone control, while still leaving room for music the student enjoys.
A useful setup includes standing room, water, clear audio, a visible face and posture, and any song already in progress. When a school or choir piece matters, the teacher can help more quickly if the score, lyrics, or recording is available. Students aiming at Attea Middle School may work on pitch center, memorized starts, diction, phrasing, and relaxed run-throughs. Between lessons, the goal is simple: warm up, sing slowly, isolate the hard spot, and repeat the best version, while still leaving room for music the student enjoys, so the teacher can keep the next goal specific.
Performance preparation for Glenview singers works best when songs, technique, and listening goals stay connected. Work connected to Attea Middle School might focus on memorizing entrances, marking breaths, shaping diction, and keeping pitch steady under pressure. Music connected with Atrium Theater can give students a reason to study breath support, tone, text, and ensemble listening. Lessons then turn the goal into breath support, pitch accuracy, diction, memorization, and a practical performance plan, with enough detail for focused weekly practice, so the teacher can keep the next goal specific, while practice choices stay organized and realistic.
New Glenview singers should plan a setup that makes posture visible, tone easy to hear, and practice notes easy to mark. The basic setup includes a quiet standing area, reliable internet, a camera device, water, printed music or lyrics, and a pencil for breath marks. After checking Guitar Center and Aloha City Ukes, review whether any item supports lyrics, sheet music, accompaniment playback, or clear lesson audio. A microphone is optional for most beginners, though pop, jazz, musical theater, worship, or recording goals may eventually make one useful. A clear, low-clutter setup helps the student focus on warmups, repertoire, listening, and consistent practice habits. For more setup guidance, read our first online music lesson guide.
The right voice materials for a Glenview singer depend on age, vocal maturity, range, style, teacher assignment, and future goals. The exact list can include sight-singing, theory, lyric marking, anthology work, 24 Italian Songs and Arias, Vaccai, musical theater cuts, or accompaniment files. Students can purchase books directly from our Shop or through other music retailers. If families compare Make'n Music with Music Center of Deerfield, the teacher's assignment should decide the title, format, level, key, and supplies, while still leaving room for music the student enjoys, while practice choices stay organized and realistic, while practice choices stay organized and realistic.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Glenview, Illinois: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
Lesson With You begins by looking for the right instructor fit. The right teacher can help Glenview kids, teens, adults, and returning singers connect healthy technique with music they actually want to sing. Lessons can then aim at breath support, song learning, and relaxed audition preparation without turning every student into the same kind of singer, while the student builds confidence one assignment at a time.
Students improve faster when warmups, technique, listening, and repertoire are organized together. A Glenview lesson plan may move from warmups to breath, pitch, diction, sight-singing, theory, and repertoire without leaving students to guess what comes next. For kids, teens, adults, and returning singers, that sequence can support school preparation at Attea Middle School without losing personal repertoire, while the student builds confidence one assignment at a time.
Music in Glenview can point students toward many reasons to sing. The teacher can use Attea Middle School for preparation context and Atrium Theater for listening context while keeping the lesson student-centered. Lessons can turn that context into repertoire choices, listening habits, clearer diction, and steadier performance practice, with practical guidance for the student's current level, with a clear next practice step, so families understand what to listen for during practice.
Voice practice can train attention, language, coordination, listening, and follow-through. In Glenview, regular voice practice can build listening, memory, reading fluency, pattern recognition, and independent follow-through. That helps school, homeschool, and family learning routines because students learn how to break music into small tasks and hear their own progress, while still leaving room for music the student enjoys, so technique and songs improve together.
Families in Glenview can check Make'n Music and Music Center of Deerfield for voice lesson books and materials. The safest approach is to confirm the title, edition, key, and supply list before buying books, lyric sheets, sight-singing pages, or practice materials, so technique and songs improve together.
Yes. A live lesson can address breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and weekly practice habits. That can support Glenview students preparing for recitals, while still leaving room for music the student enjoys, while the student builds confidence one assignment at a time.
A student should have reliable internet, a device with camera, a quiet place to stand, water, lyrics or sheet music, and a pencil. Most beginners can start simply, though a speaker, headphones, or second device may help when assigned accompaniment tracks are part of practice.
Most voice students can begin with the built-in device audio if the room is quiet and the teacher can hear clearly. If amplified singing becomes part of the plan, the teacher can help sort out microphone placement, headphones, playback, and room noise. If Guitar Center is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Many students begin voice lessons between ages 6 and 8, though readiness is more important than age alone. Look for attention span, pitch matching, musical interest, comfort singing aloud, and the ability to follow simple directions, so the teacher can keep the next goal specific.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Glenview area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. A teacher can organize pitch accuracy, diction, breath support, repertoire, memorization, and sight-singing for concerts, auditions, choir, or ensemble placement connected to Attea Middle School. The school reference stays a preparation goal, not an affiliation or endorsement, with enough detail for focused weekly practice.
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