Available for Glendale students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Flexible scheduling No contracts Start or pause lessons anytime
All Major Payment Methods Accepted
Flexible scheduling helps Glendale singers keep practice moving through school concerts, rehearsals, projects, and family plans, while practice choices stay organized and realistic.
Voice instructors guide warmups, range comfort, resonance, and repertoire choices without pushing students toward strained singing habits, with enough detail for focused weekly practice.
5 out of 5 average lesson rating
Teachers adapt assignments week by week as students move between choir music, pop songs, musical theater, worship, or classical repertoire.
For the first lesson, place the camera where posture is visible and keep the current assignment or song nearby. School music preparation works best when the student has the exact part, measure numbers, text markings, or rhythm questions ready. A student working toward Herbert Hoover High may need warmups that target breath support, vowel shape, sight-singing, and confident first phrases. After the lesson, a written practice target makes the next week easier because the student knows which phrase, breath, or text detail comes first, with enough detail for focused weekly practice.
A Glendale voice student can turn recital, choir, or audition ideas into small weekly practice decisions. Preparation connected with Herbert Hoover High can include secure starts, clearer vowels, steady rhythm, and memorized endings. Inspiration from Haikian Chamber Choir can also lead to pop, classical, worship, theater, jazz, or singer-songwriter repertoire that feels connected to the area. Lessons then turn the goal into breath support, pitch accuracy, diction, memorization, and a practical performance plan, so the teacher can keep the next goal specific, with rhythm, tone, and musical goals staying connected.
A good beginner setup for a Glendale singer is practical, uncluttered, and easy to repeat each week. A useful lesson space lets the teacher see posture, hear clear tone, and help the singer mark lyrics, breaths, vowels, and practice notes. When checking Grayson's Tune Town and Takamine USA, focus on lesson supplies that organize music, support playback, or keep marked pages easy to use. Headphones or a speaker may help with accompaniment playback, but those choices should follow the teacher's plan for rhythm, pitch, and style. A clear, low-clutter setup helps the student focus on warmups, repertoire, listening, and consistent practice habits. For more setup guidance, read our first online music lesson guide.
The right voice materials for a Glendale singer depend on age, vocal maturity, range, style, teacher assignment, and future goals. Teacher assignments may include lyric sheets, sight-singing, solfege, theory, ear training, accompaniment tracks, 24 Italian Songs and Arias, Vaccai, The Singer's Musical Theatre Anthology, or custom repertoire sheets. Students can purchase books directly from our Shop or through other music retailers. Use source pairs like Future Music and GN Music carefully: books and editions first, then only the supplies the teacher has requested, so families understand what to listen for during practice, so technique and songs improve together, with a clear next practice step.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Glendale, California: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
Good instruction begins with a match that feels clear and workable. For Glendale students, teacher fit can shape how quickly lessons move, which songs appear, and how practice is explained. Lessons can then aim at school concerts, favorite songs, and steady recital preparation without turning every student into the same kind of singer, so families understand what to listen for during practice, so families understand what to listen for during practice.
Students improve faster when warmups, technique, listening, and repertoire are organized together. Lessons in Glendale can connect warmups, breath, posture, tone, diction, sight-singing, theory, and repertoire so practice has a clear order. Students near Herbert Hoover High can use the same plan for choir goals, personal songs, and stronger practice habits, so families understand what to listen for during practice, with enough detail for focused weekly practice.
For Glendale singers, community music can turn technique into something easier to imagine and use. Students may use Herbert Hoover High for school-music direction and Haikian Chamber Choir for listening ideas that make repertoire feel less abstract. The lesson plan keeps the connection musical by focusing on repertoire, technique, listening, expression, and healthy pacing, so technique and songs improve together, so progress feels steady between lessons, while still leaving room for music the student enjoys.
Learning to sing can strengthen habits that carry into other kinds of study. For Glendale students, voice work can build focus, listening accuracy, expressive language, memory, patience, and creativity. Those habits support school, homeschool, and family learning because students practice listening carefully and solving one musical problem at a time, so technique and songs improve together, with enough detail for focused weekly practice, while practice choices stay organized and realistic.
Families in Glendale can check Future Music and GN Music for voice lesson books and materials. The safest approach is to confirm the title, edition, key, and supply list before buying books, lyric sheets, sight-singing pages, or practice materials, with practical guidance for the student's current level.
Yes. A live lesson can address breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and weekly practice habits. That can support Glendale students preparing for recitals, while still leaving room for music the student enjoys, while practice choices stay organized and realistic.
Students need reliable internet, a device with a camera, a quiet space to stand, water, sheet music or lyrics, and a pencil. Keep the setup simple at first, then add playback tools only when they support the student's assigned song or listening work, with enough detail for focused weekly practice.
Most voice students can begin with the built-in device audio if the room is quiet and the teacher can hear clearly. A microphone can become useful for pop, jazz, musical theater, worship, recording, or amplified singing goals once the teacher understands the student's setup. If Grayson's Tune Town is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Children often start singing around ages 6 to 8, but teens and adults can begin successfully too. Look for attention span, pitch matching, musical interest, comfort singing aloud, and the ability to follow simple directions, with a clear next practice step, so families understand what to listen for during practice.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Glendale area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. Students can work on school concerts, choir, auditions, recitals, musical theater cuts, sight-singing, pitch accuracy, and diction connected to Herbert Hoover High. The school reference stays a preparation goal, not an affiliation or endorsement, with enough detail for focused weekly practice, so families understand what to listen for during practice.
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