Available for Emmaus students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Flexible scheduling No contracts Start or pause lessons anytime
All Major Payment Methods Accepted
Flexible scheduling helps Emmaus singers keep practice moving through school concerts, rehearsals, projects, and family plans, while practice choices stay organized and realistic.
Students work with patient voice teachers who connect healthy technique, favorite songs, and meaningful music goals into steady progress, with rhythm, tone, and musical goals staying connected.
5 out of 5 average lesson rating
Students can build technique through music they recognize while the teacher keeps breath, pitch, tone, and diction organized, with enough detail for focused weekly practice.
Students should begin with the lesson space cleared and current songs, lyrics, sheet music, or questions close enough to use. When a school or choir piece matters, the teacher can help more quickly if the score, lyrics, or recording is available. A student working toward East Penn SD may need warmups that target breath support, vowel shape, sight-singing, and confident first phrases. The best preparation is repeatable: warm up gently, review the assignment, isolate the hard phrase, and bring one question back next week, while keeping the assignment easy to remember.
A Emmaus voice student can turn recital, choir, or audition ideas into small weekly practice decisions. Work connected to East Penn SD might focus on memorizing entrances, marking breaths, shaping diction, and keeping pitch steady under pressure. Inspiration from Good Time Theatre can also lead to pop, classical, worship, theater, jazz, or singer-songwriter repertoire that feels connected to the area. The weekly work can cover repertoire choice, audition cuts, phrase planning, pitch accuracy, and a manageable memorization routine, so progress feels steady between lessons, with enough detail for focused weekly practice.
Students beginning singing in Emmaus can keep the setup simple while still giving the teacher enough sound and visual detail to coach well. The core items are straightforward: steady internet, camera placement, water, lyrics or sheet music, a pencil, and room to stand with relaxed posture. Whether families use Guitar Center and Evans Amplifier and Electronics or another retailer, setup choices should stay tied to teacher guidance and the student's current repertoire. Headphones or a speaker may help with accompaniment playback, but those choices should follow the teacher's plan for rhythm, pitch, and style. If singing hurts or persistent hoarseness appears, the student should stop and ask a qualified professional before continuing heavy voice use. For more setup guidance, read our first online music lesson guide.
Singing materials in Emmaus lessons should support the student's age, range, vocal maturity, musical taste, teacher assignment, and long-term direction. A child may start with short teacher-selected pages and listening tasks, while a teen or adult may use anthology excerpts, theater cuts, classical songs, theory, or recording practice. Students can purchase books directly from our Shop or through other music retailers. When using Bachman Music, separate lesson essentials from extras: music and lyrics first, then stands, binders, pencils, or headphones, so technique and songs improve together, while the student builds confidence one assignment at a time, with rhythm, tone, and musical goals staying connected.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Emmaus, Pennsylvania: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
The first priority is matching the student with the right teacher. can help Emmaus kids, teens, adults, and returning singers connect healthy technique with music they actually want to sing. Lessons can then aim at breath support, song learning, and relaxed audition preparation without turning every student into the same kind of singer, so families understand what to listen for during practice, while practice choices stay organized and realistic.
A good voice lesson should make practice clearer, not just longer. In Emmaus, lessons can organize warmups, breath support, posture, tone, pitch accuracy, diction, sight-singing, theory, and repertoire into a sequence that fits the student's age and practice time. That structure helps kids, teens, adults, and returning singers prepare for school music goals near East Penn SD while still enjoying songs they chose, while keeping the assignment easy to remember.
Music in Emmaus can point students toward many reasons to sing. Students may use East Penn SD for school-music direction and Good Time Theatre for listening ideas that make repertoire feel less abstract. That outside music becomes lesson material through phrasing, tone control, pitch accuracy, memorized starts, and clean run-throughs, with rhythm, tone, and musical goals staying connected, while still leaving room for music the student enjoys, with rhythm, tone, and musical goals staying connected.
Voice study supports more than a song list. In Emmaus, regular voice practice can build listening, memory, reading fluency, pattern recognition, and independent follow-through. For school, homeschool, and family learning, the benefit is a student who can plan practice, notice patterns, and keep improving independently, so progress feels steady between lessons, while keeping the assignment easy to remember, while the student builds confidence one assignment at a time.
Families in Emmaus can check Bachman Music and Docs West End Music for voice lesson books and materials. Use the teacher's assignment as the guide, especially for song anthologies, sheet music, audition cuts, lyric sheets, sight-singing, accompaniment, and practice tools, with a clear next practice step.
Yes. A live lesson can address breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and weekly practice habits. That can support Emmaus students preparing for honor choir, with enough detail for focused weekly practice, so progress feels steady between lessons, with practical guidance for the student's current level.
The basic setup is reliable internet, a camera device, a quiet standing space, water, printed lyrics or music, and a pencil. Keep the setup simple at first, then add playback tools only when they support the student's assigned song or listening work, so families understand what to listen for during practice.
Most voice students can begin with the built-in device audio if the room is quiet and the teacher can hear clearly. If amplified singing becomes part of the plan, the teacher can help sort out microphone placement, headphones, playback, and room noise. If Guitar Center is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Many students begin voice lessons between ages 6 and 8, though readiness is more important than age alone. Pitch matching, attention span, musical interest, simple direction-following, and comfort singing aloud all matter, while still leaving room for music the student enjoys, while still leaving room for music the student enjoys.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Emmaus area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. Students can work on school concerts, choir, auditions, recitals, musical theater cuts, sight-singing, pitch accuracy, and diction connected to East Penn SD. The school reference stays a preparation goal, not an affiliation or endorsement, so technique and songs improve together, while practice choices stay organized and realistic.
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