Available for Eastmont students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Eastmont students can keep voice progress steady around homework, rehearsals, activities, homeschool plans, and weekend commitments, with a clear next practice step.
Voice instructors guide warmups, range comfort, resonance, and repertoire choices without pushing students toward strained singing habits, with enough detail for focused weekly practice.
5 out of 5 average lesson rating
A clear voice plan can include favorite songs, ear training, sight-singing, lyric work, and practical theory at the right pace.
A useful setup includes standing room, water, clear audio, a visible face and posture, and any song already in progress. A student preparing for ensemble work should have the vocal part, tempo, trouble spots, and any pronunciation questions ready. A student working toward Lynnwood High School may need warmups that target breath support, vowel shape, sight-singing, and confident first phrases. After the lesson, a written practice target makes the next week easier because the student knows which phrase, breath, or text detail comes first, while the student builds confidence one assignment at a time.
A Eastmont voice student can turn recital, choir, or audition ideas into small weekly practice decisions. When Lynnwood High School is on the horizon, lessons can organize repertoire, tone, rhythm, diction, and memorization into smaller weekly steps. Music connected with Historic Downtown Everett Theater can give students a reason to study breath support, tone, text, and ensemble listening. A voice teacher can keep the preparation specific through warmups, diction, phrasing, accompaniment cues, and realistic practice notes, while the student builds confidence one assignment at a time, so progress feels steady between lessons.
Singing students in Eastmont mainly need a simple, repeatable lesson setup rather than a shopping list. Keep lyrics, assigned music, water, and a pencil nearby so the student can mark vowels, breaths, rhythms, and reminders during the lesson. Local sources such as Guitar Center and Claude Lakey can be useful for binders, printed music, music stands, headphones, or basic supplies when the teacher requests them. Headphones or a speaker may help with accompaniment playback, but those choices should follow the teacher's plan for rhythm, pitch, and style. The goal is a space where the teacher can hear pitch, see posture, and assign focused next steps. For more setup guidance, read our first online music lesson guide.
A strong materials plan for a Eastmont singer starts with the assigned repertoire, then adds only the books, pages, or supplies that support it. Some students use teacher-selected sight-singing, solfege, lyric sheets, or theory pages, while others need The Singer's Musical Theatre Anthology, 24 Italian Songs and Arias, Vaccai, audition cuts, or accompaniment tracks. Students can purchase books directly from our Shop or through other music retailers. When checking Kennelly Keys Music and Arts, use the teacher's list to decide which source fits books, supplies, or listening support, while the student builds confidence one assignment at a time.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Eastmont, Washington: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
The first priority is matching the student with the right teacher. Eastmont singers may need very different teaching styles, from patient beginner pacing for kids to flexible repertoire work for adults. Lessons can then aim at school concerts, favorite songs, and steady recital preparation without turning every student into the same kind of singer, so the teacher can keep the next goal specific, while the student builds confidence one assignment at a time.
Voice progress is easier when breath, pitch, diction, and songs move in a clear order. For Eastmont singers, weekly structure can connect breath management, pitch accuracy, tone, diction, theory, ear training, and practice habits. For kids, teens, adults, and returning singers, that sequence can support school preparation at Lynnwood High School without losing personal repertoire, with practical guidance for the student's current level, with practical guidance for the student's current level.
Singing study in Eastmont can connect personal songs with the music students hear around them. A younger singer may work toward school concerts connected with Lynnwood High School, while an adult may want songs that fit the listening culture around Historic Downtown Everett Theater. Lessons can turn that context into repertoire choices, listening habits, clearer diction, and steadier performance practice, with a clear next practice step, so the teacher can keep the next goal specific.
Good voice lessons build musical skill and broader learning habits at the same time. For Eastmont students, voice work can build focus, listening accuracy, expressive language, memory, patience, and creativity. That helps school, homeschool, and family learning routines because students learn how to break music into small tasks and hear their own progress, with a clear next practice step, so the teacher can keep the next goal specific.
Families in Eastmont can check Kennelly Keys Music and Arts for voice lesson books and materials. Bring the teacher's exact title or list first so song anthologies, sheet music, audition cuts, lyric sheets, sight-singing, and practice materials match the lesson plan, while practice choices stay organized and realistic.
Yes. The teacher can guide breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and home practice. That can support Eastmont students preparing for school concerts, with a clear next practice step, with a clear next practice step, while still leaving room for music the student enjoys.
For voice lessons, plan on reliable internet, a camera-ready device, a quiet standing space, water, lyrics or sheet music, and a pencil. Keep the setup simple at first, then add playback tools only when they support the student's assigned song or listening work, so the teacher can keep the next goal specific.
For early singing lessons, clear audio and low background noise matter more than buying a microphone. For pop, jazz, theater, recording, or worship goals, the teacher can advise on clear audio, headphones, playback balance, and background noise. If Guitar Center is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Children often start singing around ages 6 to 8, but teens and adults can begin successfully too. Look for attention span, pitch matching, musical interest, comfort singing aloud, and the ability to follow simple directions, with a clear next practice step, while keeping the assignment easy to remember.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Eastmont area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. Preparation can include repertoire, breath support, pitch accuracy, diction, memorization, and sight-singing for school concerts or auditions connected to Lynnwood High School. The school reference stays a preparation goal, not an affiliation or endorsement, with enough detail for focused weekly practice, with enough detail for focused weekly practice.
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