Available for Ashburn students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
Try adjusting your filters.
Flexible scheduling No contracts Start or pause lessons anytime
All Major Payment Methods Accepted
Singing lessons fit around Ashburn school weeks, choir rehearsals, theater practice, family schedules, and changing activity seasons, with practical guidance for the student's current level.
Students work with patient voice teachers who connect healthy technique, favorite songs, and meaningful music goals into steady progress, with rhythm, tone, and musical goals staying connected.
5 out of 5 average lesson rating
Teachers adapt assignments week by week as students move between choir music, pop songs, musical theater, worship, or classical repertoire.
For the first lesson, place the camera where posture is visible and keep the current assignment or song nearby. Students with school music goals should bring the song, choir part, lyric sheet, sight-singing excerpt, or audition cut they want help organizing. Preparation for Broad Run High can include breath marks, rhythm counting, clean entrances, pitch accuracy, and controlled endings. A short practice note after each lesson keeps the next assignment clear and helps families know what to listen for during the week, while practice choices stay organized and realistic.
For Ashburn voice students, local performance ideas work best when they become specific practice targets. When Broad Run High is on the horizon, lessons can organize repertoire, tone, rhythm, diction, and memorization into smaller weekly steps. Students curious about Ballet Theatre of Ashburn can explore repertoire, diction, tone, and listening habits that match their own voice goals. Lessons then turn the goal into breath support, pitch accuracy, diction, memorization, and a practical performance plan, so families understand what to listen for during practice, so progress feels steady between lessons, so families understand what to listen for during practice.
Voice lessons in Ashburn start best with a clear room, steady audio, and materials the student can reach without interrupting the lesson. A quiet space with clear camera framing helps the teacher check alignment, breathing, diction, pitch, and practice habits without adding unnecessary equipment. Families using Bach to Rock South Riding and A Music Store should keep purchases modest: printed music, a binder, pencils, a stand, headphones, or other supplies the teacher actually names. If the student later works on auditions, recording, or amplified styles, the teacher can recommend equipment that fits the voice and room. Good setup choices make the lesson more direct because the teacher can hear vowel shape, breath timing, and pitch without distractions. For more setup guidance, read our first online music lesson guide.
Materials for Ashburn voice lessons should be chosen around the singer's age, range, reading level, style goals, and teacher's current plan. A lyric sheet, anthology, sight-singing page, ear-training exercise, theory worksheet, audition cut, or accompaniment track should all serve the student's current voice goal. Students can purchase books directly from our Shop or through other music retailers. A clear list helps A and A Music Store stay useful: required title, edition, key, lyric format, staff paper, and binder if assigned, so technique and songs improve together, so the teacher can keep the next goal specific, so families understand what to listen for during practice.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Ashburn, Virginia: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
The best voice lessons start with a teacher who understands the student. A Ashburn beginner may need patient pacing, while an advancing student may need sharper feedback on breath, diction, and tone. Lessons can then aim at breath support, song learning, and relaxed audition preparation without turning every student into the same kind of singer, while keeping the assignment easy to remember, while the student builds confidence one assignment at a time.
A good voice lesson should make practice clearer, not just longer. For Ashburn singers, weekly structure can connect breath management, pitch accuracy, tone, diction, theory, ear training, and practice habits. Students working near Broad Run High can keep school music, favorite songs, and technique moving in the same weekly plan, while practice choices stay organized and realistic, so progress feels steady between lessons, while practice choices stay organized and realistic.
Music in Ashburn can point students toward many reasons to sing. The teacher can use Broad Run High for preparation context and Ballet Theatre of Ashburn for listening context while keeping the lesson student-centered. A teacher can connect that inspiration to sheet music, lyric work, tone, dynamics, and a reliable practice routine, so families understand what to listen for during practice, with rhythm, tone, and musical goals staying connected.
A consistent voice routine gives students a concrete way to practice focus and patience. For Ashburn families, steady lessons can strengthen listening, language, memory, pitch awareness, creativity, and independent practice habits. Those habits support school, homeschool, and family learning because students practice listening carefully and solving one musical problem at a time, with practical guidance for the student's current level, with enough detail for focused weekly practice.
Families in Ashburn can check A and A Music Store and A+ Music and More for voice lesson books and materials. Bring the teacher's exact title or list first so song anthologies, sheet music, audition cuts, lyric sheets, sight-singing, and practice materials match the lesson plan.
Yes. A live lesson can address breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and weekly practice habits. That can support Ashburn students preparing for choir, while the student builds confidence one assignment at a time, with enough detail for focused weekly practice.
For voice lessons, plan on reliable internet, a camera-ready device, a quiet standing space, water, lyrics or sheet music, and a pencil. Keep the setup simple at first, then add playback tools only when they support the student's assigned song or listening work, with rhythm, tone, and musical goals staying connected.
For early singing lessons, clear audio and low background noise matter more than buying a microphone. It may help later for pop, jazz, musical theater, worship, recording, or amplified goals, especially when playback and headphones are part of practice. If Bach to Rock South Riding is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Children often start singing around ages 6 to 8, but teens and adults can begin successfully too. Pitch matching, attention span, musical interest, simple direction-following, and comfort singing aloud all matter, so the teacher can keep the next goal specific, with practical guidance for the student's current level.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Ashburn area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. A teacher can organize pitch accuracy, diction, breath support, repertoire, memorization, and sight-singing for concerts, auditions, choir, or ensemble placement connected to Broad Run High. The school reference stays a preparation goal, not an affiliation or endorsement, while keeping the assignment easy to remember.
Learn from the Best. No contracts ever.
