Available for Folsom students
A multivariate artist always pushing against the simple definition of a singer and pianist, Cristin Colvin has: stage directed and performed in a new opera Locust in the US, Morocco, and Scotland; produced immersive arts salons at Denver’s Redline Contemporary Arts Center; worked as an improvisatory… read more
Hannah Martin is a music educator, vocalist, and multi-instrumentalist specializing in contemporary and jazz styles. She brings experience in singing and songwriting, arranging, music directing, and interdisciplinary curriculum design for youth and senior arts programs. With a passion for accessible… read more
hicago native, mezzo-soprano Olivia Gronenthal, combines her career in opera performance with a passion for new cross-disciplinary works that resonate with contemporary life. She recently made her Indiana University Opera Theater debut portraying Suzy in La Rondine. Her other roles include Hansel in… read more
Marcus Peterson, a bass and baritone from West Bloomfield, MI, is completing a double Master's in Voice and Choral Conducting at IU's Jacobs School of Music. Marcus holds a Bachelor of Music in Vocal Performance with a Teaching Certification from the University of Michigan. He has performed througho… read more
Praised for his “clarion tone” (Ludwig van Toronto) and “impressive vocal colour” (Opera Canada), Canadian-American baritone Geoffrey Schellenberg is a professional opera singer and voice instructor. On professional stages, he has been recognized for the roles of Figaro (Il barbiere di Siviglia), Ma… read more
Originally from Maryland, Jessa earned her Bachelor’s in Film, Theatre, and Video from Stevenson University. At Maryland’s prestigious Toby’s Theatre, Jessa performed as a singer, dancer, and actress in a variety of shows, including The Buddy Holly Story (Apollo Singer), Ragtime (Sarah), Hairspray (… read more
Taylor Deneen is a professional singer-songwriter whose career has taken her from the stage of NBC’s The Voice—where John Legend praised her as the “best soul singer” of the blind auditions—to classrooms and studios where she inspires the next generation of musicians. With nearly seven years of teac… read more
Mexican-American soprano Catherine Thornsley is a two-time National Semifinalist in the Metropolitan Opera Laffont Competition. Based in Vancouver, Catherine is an Artist-in-Residence with Nebula Performances, where she regularly performs and collaborates on impactful programming.
Catherine believe… read more
Liz holds a Master’s Degree in Vocal Performance from San Jose State University. She continues her education by attending seminars and conferences in vocal pedagogy and Contemporary Commercial Music (CCM) workshops, keeping up with the latest in teaching techniques and nerding out on voice science. … read more
Spotify verified artist and Nashville-based musician Jess Kerber first picked up a guitar at the age of 12, and her precocious drive to experiment with different tunings and picking styles – influenced by kindred spirits like Joni Mitchell and Susan Tedeschi – led to the development of a unique soni… read more
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Flexible scheduling No contracts Start or pause lessons anytime
All Major Payment Methods Accepted
Flexible scheduling helps Folsom singers keep practice moving through school concerts, rehearsals, projects, and family plans, so families understand what to listen for during practice.
Each teacher brings calm feedback, clear assignments, and voice-specific experience for students preparing songs, recitals, choir, or theater, so families understand what to listen for during practice.
5 out of 5 average lesson rating
Students can build technique through music they recognize while the teacher keeps breath, pitch, tone, and diction organized, so progress feels steady between lessons.
Preparation is simple: set out water, lyrics, a pencil, and any song or audition cut that matters right now. For school music goals, bring the choir part, song excerpt, lyric sheet, or accompaniment track that needs cleaner pitch or diction. When preparing for Folsom High, lesson work can focus on secure starts, accurate pitch, clear diction, and expressive phrasing. Between lessons, the goal is simple: warm up, sing slowly, isolate the hard spot, and repeat the best version, while still leaving room for music the student enjoys, while the student builds confidence one assignment at a time.
A Folsom voice student can turn recital, choir, or audition ideas into small weekly practice decisions. Preparation connected with Folsom High can include secure starts, clearer vowels, steady rhythm, and memorized endings. Students curious about Slavic Chorale can explore repertoire, diction, tone, and listening habits that match their own voice goals. A voice teacher can keep the preparation specific through warmups, diction, phrasing, accompaniment cues, and realistic practice notes, while the student builds confidence one assignment at a time, while practice choices stay organized and realistic, so progress feels steady between lessons.
In Folsom, a practical voice setup is more about consistency than gear: space, water, music, and reliable audio. Plan on reliable internet, a device with a camera, water, printed sheet music or lyrics, a pencil, and enough room for the teacher to see posture and breathing. Local sources such as Bach to Rock Folsom and El Dorado Hills Music can be useful for binders, printed music, music stands, headphones, or basic supplies when the teacher requests them. Extra gear should wait until the teacher understands the student's style, range, accompaniment needs, and practice environment. Comfort matters too: the student should be able to breathe freely, sing without strain, and pause if the voice feels tired. For more setup guidance, read our first online music lesson guide.
Singing materials in Folsom lessons should support the student's age, range, vocal maturity, musical taste, teacher assignment, and long-term direction. A lyric sheet, anthology, sight-singing page, ear-training exercise, theory worksheet, audition cut, or accompaniment track should all serve the student's current voice goal. Students can purchase books directly from our Shop or through other music retailers. When buying through El Dorado Hills Music, avoid broad starter hauls and focus on the book, lyric sheet, staff paper, or binder requested, while keeping the assignment easy to remember, with rhythm, tone, and musical goals staying connected, with rhythm, tone, and musical goals staying connected.
Families and adult learners use Lesson With You for patient voice instruction, clear weekly practice goals, and steady support.
Lesson With You keeps singing lesson pricing simple for Folsom, California: $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first trial lesson is free, and there are no long-term contracts.
Many beginners start with 30 minutes, while older or more advanced students may choose 45 or 60 minutes for breath support, pitch accuracy, diction, sight-singing, repertoire, and performance preparation. For broader context, see the main singing lessons page.
The best voice lessons start with a teacher who understands the student. Voice students in Folsom can work with instructors who understand kids learning first songs, teens building style, adults starting fresh, and returning singers rebuilding comfort. Lessons can then aim at choir goals, theater repertoire, and stronger pitch accuracy without turning every student into the same kind of singer, so families understand what to listen for during practice.
Strong singing progress needs more than running through songs. For Folsom singers, weekly structure can connect breath management, pitch accuracy, tone, diction, theory, ear training, and practice habits. That makes school music goals near Folsom High, recitals, and favorite songs feel connected instead of competing for attention, so progress feels steady between lessons, while still leaving room for music the student enjoys, with practical guidance for the student's current level.
Local music around Folsom can help singers hear how text, breath, and style choices matter. Lessons can use school context tied to Folsom High and broader musical ideas tied to Slavic Chorale while keeping both student-centered. Lessons can turn that context into repertoire choices, listening habits, clearer diction, and steadier performance practice, so families understand what to listen for during practice, while the student builds confidence one assignment at a time.
A consistent voice routine gives students a concrete way to practice focus and patience. Folsom students often gain focus, memory, language confidence, listening skills, and better practice planning through singing. For school, homeschool, and family learning, the benefit is a student who can plan practice, notice patterns, and keep improving independently, so families understand what to listen for during practice, with a clear next practice step.
Families in Folsom can check El Dorado Hills Music and Gregg's Music Center for voice lesson books and materials. Students should know the required title, edition, key, and accompaniment plan before choosing books, sheet music, lyric pages, or sight-singing materials, with rhythm, tone, and musical goals staying connected.
Yes. The teacher can guide breath support, posture, pitch accuracy, tone, diction, repertoire, sight-singing, ear training, and home practice. That can support Folsom students preparing for musical theater auditions, with rhythm, tone, and musical goals staying connected, so technique and songs improve together, so progress feels steady between lessons.
A student should have reliable internet, a device with camera, a quiet place to stand, water, lyrics or sheet music, and a pencil. Beginners do not need special equipment; playback from a speaker, headphones, or a second device can help if the teacher assigns accompaniment tracks.
Most voice students can begin with the built-in device audio if the room is quiet and the teacher can hear clearly. If amplified singing becomes part of the plan, the teacher can help sort out microphone placement, headphones, playback, and room noise. If Bach to Rock Folsom is convenient, use it for practical audio or stand questions without assuming a microphone is required.
Children often start singing around ages 6 to 8, but teens and adults can begin successfully too. A younger singer should be able to focus briefly, echo simple patterns, follow directions, and enjoy singing without pressure, with rhythm, tone, and musical goals staying connected, so progress feels steady between lessons.
Lesson With You rates are $35 for 30 minutes, $50 for 45 minutes, and $65 for 60 minutes. The first 30-minute trial lesson is free.
Expect a weekly lesson plan built around warmups, breath support, pitch accuracy, diction, repertoire, listening, and practice habits. The teacher will adjust assignments as the student grows.
Start with the free trial form, choose a teacher or request a match, and we will help confirm a lesson time that works for your schedule.
New singing students are eligible for a free 30-minute trial lesson with no credit card required.
Lessons are billed one week at a time with no long-term contracts. Contact support if you are planning lessons for multiple students or a higher weekly frequency.
Sight-singing is useful, but voice lessons can also include breath support, ear training, diction, repertoire, rhythm, theory, and listening skills.
Exercises and method books help students connect warmups, breath, pitch, diction, reading, and musical phrasing. Teachers tie that work directly to the songs students are learning.
No. Lessons are live online, so students can keep a consistent lesson time anywhere in the Folsom area.
Yes. Adult beginners are welcome, and lessons can be tailored to personal goals, favorite pieces, and available practice time.
Yes. Students can work on school concerts, choir, auditions, recitals, musical theater cuts, sight-singing, pitch accuracy, and diction connected to Folsom High. The school reference stays a preparation goal, not an affiliation or endorsement, so technique and songs improve together, with enough detail for focused weekly practice.
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